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	<title>My Piano Riffs &#187; harmony</title>
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	<description>tips &#38; tricks for the rhythmically &#38; harmonically-challenged</description>
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		<title>7 Ways to Become a Better Pop or Jazz Pianist</title>
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		<pubDate>Sat, 21 Nov 2009 01:39:30 +0000</pubDate>
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				<category><![CDATA[Jazz For You]]></category>
		<category><![CDATA[chord progression]]></category>
		<category><![CDATA[chords]]></category>
		<category><![CDATA[Coldplay]]></category>
		<category><![CDATA[cycle of 5ths]]></category>
		<category><![CDATA[form]]></category>
		<category><![CDATA[harmony]]></category>
		<category><![CDATA[I Got Rhythm!]]></category>
		<category><![CDATA[Michael Buble]]></category>
		<category><![CDATA[modes]]></category>
		<category><![CDATA[music styles]]></category>
		<category><![CDATA[piano practice]]></category>
		<category><![CDATA[Sara Bareilles]]></category>
		<category><![CDATA[scales]]></category>

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		<description><![CDATA[By Nicole H. E. Lee &#8220;Practice!&#8221; That&#8217;s what piano teachers always tell their students, or &#8220;Practice makes perfect,&#8221; spout many. But practice what? Practice how? If practice makes perfect, then it is also true that imperfect practice makes imperfection! And we don&#8217;t want that. To become really good at our craft, i.e. piano-playing, it is&#8230;]]></description>
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		<title>Top 5 Pieces For a Beginner Jazz Pianist</title>
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		<pubDate>Thu, 12 Nov 2009 02:44:17 +0000</pubDate>
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				<category><![CDATA[Jazz For You]]></category>
		<category><![CDATA[Autumn Leaves]]></category>
		<category><![CDATA[beginner jazz pianist]]></category>
		<category><![CDATA[Blue Bossa]]></category>
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		<category><![CDATA[jazz piano]]></category>
		<category><![CDATA[melody]]></category>
		<category><![CDATA[So What]]></category>
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		<description><![CDATA[By Nicole H. E. Lee Learning how to play jazz piano for the first time is exciting yet very intimidating if one starts with the wrong songs. Selecting pieces that are melodically pleasing, rhythmically simple, harmonically easy (as in the chord changes) and all structured within a straightforward form is very important if a beginner&#8230;]]></description>
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		<title>7 Important Chords Every Musician Should Know</title>
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		<pubDate>Thu, 05 Nov 2009 12:32:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Harmonic Concepts]]></category>
		<category><![CDATA[chords]]></category>
		<category><![CDATA[diatonic]]></category>
		<category><![CDATA[diatonic chords]]></category>
		<category><![CDATA[diatonic triads]]></category>
		<category><![CDATA[diminished]]></category>
		<category><![CDATA[harmonization]]></category>
		<category><![CDATA[harmony]]></category>
		<category><![CDATA[major]]></category>
		<category><![CDATA[major key]]></category>
		<category><![CDATA[minor]]></category>
		<category><![CDATA[scales]]></category>
		<category><![CDATA[triads]]></category>

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		<description><![CDATA[And these are the Seven Diatonic Chords of a Key! What are diatonic chords? I am always struck by how many musicians are still completely confused or clueless about the importance of diatonic chords and how chords are related to each other within a key. Simply put, diatonic chords are chords that belong and come&#8230;]]></description>
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